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aion-rsa · 3 years ago

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Hulu New Releases: September 2021

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September usually means the beginning of the traditional fall TV season. As such, Hulu’s list of new releases for September 2021 contains some impressive TV swings.

For starters, all of ABC and Fox’s (both now united under the Disney banner alongside Hulu) fall season offerings will be made available to stream on Hulu the next day. More impressively, however, two FX on Hulu originals make their way to the streaming world this month.

The first is the long-awaited adaptation of the classic comic Y: The Last Man. The story of a virus that destroys every mammal with a Y-chromosome (save for one escape artist and his monkey) is set to premiere on September 13. Shortly after that, the B.J. Novak-produced anthology series The Premise arrives on September 16. Even those who are fatigued from timely anthology concepts will want to check this one out.

How Y: The Last Man Updates Its Story for the Modern Era

By Alec Bojalad

Nine Perfect Strangers Review: Hulu Series Achieves Wellness

By Erin Qualey

There aren’t any original movies of note coming to Hulu in September but that’s alright as the library titles are uncommonly compelling. Edward Scissorhands, Gattaca, The Interview, Office Space, and Raising Arizona are just some of the library films this month.

Here is everything else coming to Hulu this month.

Hulu New Releases – September 2021

September 1 50/50 (2011) A Fish Called Wanda (1988) Anaconda (1997) Angel Unchained (1970) The Apparition (2012) At the Earth’s Core (1976) Blue City (1986) Bull Durham (1988) Butch Cassidy and the Sundance Kid (1969) Cannon For Cordoba (1970) Cellar Dweller (1988) Cold Creek Manor (2003) Count Yorga, Vampire (1970) Crazy Heart (2009) The Dunwich Horror (1970) Edward Scissorhands (1990) El Dorado (1967) Election (1999) Exterminator 2 (1984) Free Willy (1993) Free Willy 2: The Adventure Home (1995) Free Willy 3: The Rescue (1997) Free Willy: Escape From Pirate’s Cove (2010) Friday the 13th – Part III (1982) Friday the 13th – Part IV: The Final Chapter (1984) Fright Night (1985) Gattaca (1997) Girls! Girls! Girls! (1962) The Glass House (2001) Grosse Pointe Blank (1997) Hitman: Agent 47 (2015) Hoosiers (1986) I Spit On Your Grave (2010) I Spit On Your Grave 2 (2013) I Spit On Your Grave 3 (2015) Internal Affairs (1990) The Interview (2014) Jacob’s Ladder (1990) Just Between Friends (1986) The Killer Elite (1975) Kiss the Girls (1997) The Last Castle (2001) Magic Mike (2012) The Manchurian Candidate (2004) The Mexican (2001) McLintock! (Producer’s Cut) (1963) Miss You Already (2015) Mommy (2015) Mosquito Squadron (1970) Mr. North (1988) Much Ado About Nothing (2013) New Year’s Eve (2011) Nixon (1995) Office Space (1999) The Omen (1976) The Patsy (1964) Phase IV (1974) The Possession (2012) Priest (2011) Raising Arizona (1987) The Ring (2002) Road to Perdition (2002) Salvador (1986) Secret Admirer (1985) Shaun The Sheep Movie (2015) Slumdog Millionaire (2008) Solace (2016) Stephen King’s It (1990) Sucker Punch (2011) Tears Of The Sun (2003) The Tenant (1976) Tim Burton’s Corpse Bride (2005) Tyler Perry’s The Family That Preys (2008) Under Fire (1983) Vantage Point (2008) Volcano (1997) The Wedding Plan (2016) The Wrestler (2008) The X-Files (1998)

September 2 Trolls: TrollsTopia: Complete Season 4 (Hulu Original) Death in Texas (2021) The Unthinkable (2021)

September 3 The D’Amelio Show: Complete Season 1 (Hulu Original) What We Do in the Shadows: Season 3 Premiere (FX) Bolden (2019) Undine (2021)

September 4 Flower (2017)

September 8 Wu-Tang: An American Saga: Season 2 Premiere (Hulu Original) La La Land (2016)

September 10 The Killing of Two Lovers (2020) Transporter 3 (2008)

September 11 High Ground (2021)

September 13 Y: The Last Man: Three-Episode Series Premiere (FX on Hulu) Colette (2018)

September 15 Dark Side of the Ring: Season 3A (Vice) Joseph: King Of Dreams (2000) Love, Simon (2018) Maze Runner: The Death Cure (2018)

September 16 The Premise: Series Premiere (FX on Hulu) Stalker (2021) On Chesil Beach (2018) Riders of Justice (2021)

September 18 Dark Side of Football: Complete Season 1 (Vice)

September 20 Grown Ups (2010)

September 21 9-1-1: Season 5 Premiere (FOX) The Big Leap: Series Premiere (FOX) Dancing with the Stars: Season 20 Premiere (ABC) Ordinary Joe: Series Premiere (NBC) The Voice: Season 21 Premiere (NBC)

September 22 New Amsterdam: Season 4 Premiere (NBC) Our Kind of People: Series Premiere (FOX) The Resident: Season 5 Premiere (FOX)

September 23 A Million Little Things: Season 4 Premiere (ABC) Alter Ego: Series Premiere (FOX) Chicago Fire: Season 10 Premiere (NBC) Chicago Med: Season 7 Premiere (NBC) Chicago P.D.: Season 9 Premiere (NBC) The Conners: Season 4 Premiere (ABC) The Goldbergs: Season 9 Premiere (ABC) Home Economics: Season 2 Premiere (ABC) The Masked Singer: Season 6 Premiere (FOX) The Wonder Years: Series Premiere (ABC) The Eric Andre Show: Complete Season 5 (Turner Networks) Funhouse (2021)

September 24 Law & Order: Organized Crime: Season 2 Premiere (NBC) Law & Order: SVU: Season 23 Premiere (NBC) An American Haunting (2006)

September 25 Gemini (2018)

September 27 Bob’s Burgers: Season 12 Premiere (FOX) Celebrity Wheel of Fortune: Season 2 Premiere (ABC) Family Guy: Season 20 Premiere (FOX) The Great North: Season 2 Premiere (FOX) The Rookie: Season 4 Premiere (ABC) The Simpsons: Season 33 Premiere (FOX) Supermarket Sweep: Season 2 Premiere (ABC)

September 28 The Good Doctor: Season 4 Premiere (ABC) Felix and the Hidden Treasure (2021) Home Run (2013)

September 29 La Brea: Series Premiere (NBC) Minor Premise (2021)

September 30 New Order (2021)

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Leaving Hulu – September 2021

September 1 The Iron Lady (2011) Our Family Wedding (2009) Young Adult (2011)

September 2 Middle School: The Worst Years of My Life (2016)

September 23 An American Haunting (2006)

September 29 Destination Wedding (2018) Larry The Cable Guy: Health Inspector (2006) Mission: Impossible – Ghost Protocol (2011) One For The Money (2012)

September 30 2012 (2009) 50/50 (2011) A Fish Called Wanda (1988) A Hard Day (2014) A Perfect Day (2006) The Adventures of Tintin (2011) Anaconda (1997) Anaconda 3: Offspring (2008) Anacondas: Trail Of Blood (2009) Angel Unchained (1970) The Assassin (2015) At the Earth’s Core (1976) Australia (2008) Bad Teacher (2011) Beasts Clawing At Straws (2020) Better Living Through Chemistry (2014) Big Fish (2003) Black And White (2000) BOY (2010) Bram Stoker’s Dracula (1992) Breakdown (1997) Bruno (2009) Bull Durham (1988) Burning (2018) Butch Cassidy and the Sundance Kid (1969) Caddyshack (1980) Caddyshack II (1988) Cannon For Cordoba (1970) Cellar Dweller (1988) Charles and Diana: 1983 (2020) Charlotte’s Web (1973) The Chumscrubber (2005) The Condemned (2007) Contagion (2011) Count Yorga, Vampire (1970) Coyote Ugly (2000) Dangerous Minds (1995) Daredevil (2003) Desperate Measures (1998) Detective Dee: The Four Heavenly Kings (2018) Don’t Think Twice (2016) Dumb & Dumber (1994) Dumb And Dumberer: When Harry Met Lloyd (2003) The Dunwich Horror (1970) Eliminators (2016) Exterminator 2 (1984) Fired Up! (2009) Foxfire (1996) Fred Claus (2007) Fright Night (1985) From Paris with Love (2010) Galaxy Quest (1999) Grandma (2015) Grosse Pointe Blank (1997) The Grudge (2004) Gundala (2019) Hard Romanticker (2011) Hideaway (1995) Himalaya (1991) House of the Dead (2003) House of the Dead 2 (2006) Housesitter (1992) I Do…Until I Don’t (2017) I Wish I Knew (2010) Ice Age (2002) In The Cut (2003) Indignation (2016) Intolerable Cruelty (2003) It’s Kind Of A Funny Story (2010) Jacob’s Ladder (1990) Johnny English (2003) Just Between Friends (1986) The Killer Elite (1975) Knowing (2009) Lady Vengeance (2005) Long Day’s Journey Into Night (2018) Lost in Hong Kong (2015) Machines (2016) The Man From Nowhere (2010) Maximum Risk (1996) Mercury Rising (1998) Mosquito Squadron (1970) Mountains May Depart (2015) Mr. North (1988) The Nightingale (2013) Nixon (1995) Old Stone (2016) The Omen (1976) Once Upon a Time in the West (1969) Open Water (2004) Open Water 2: Adrift (2006) Places In The Heart (1984) The Polar Express (2004) Pop Aye (2017) R.L. Stine: Mostly Ghostly (2008) R.L. Stine’s Monsterville: The Cabinet Of Souls (2015) R.L. Stine’s Mostly Ghostly: Have You Met My Ghoulfriend? (2014) R.L. Stine’s Mostly Ghostly: One Night In Doom House (2016) R.L. Stine’s The Haunting Hour: Don’t Think About It (2007) Raising Arizona (1987) Reno 911!: Miami: The Movie (2007) The Ring (2002) Rookie of the Year (1993) Salvador (1986) Scent of Green Papayas (1993) Secret Admirer (1985) Sk8 Dawg (2018) Sleeping With The Enemy (1991) Sleepwalkers (1992) The Soloist (2009) Somewhere (2010) Sorority Row (2009) Space Jam (1996) The Stepfather (2009) Sunshine (2005) Super Troopers (2002) Sweet Bean (2015) Sympathy for Mr. Vengeance (2002) Take Shelter (2011) Taken (2009) This Means War (2010) Thunderheart (1992) Tim Burton’s Corpse Bride (2005) Tokyo Rising (2020) Tooth Fairy (2008) Train to Busan (2016) Tyler Perry’s The Family That Preys (2008) Under Fire (1983) Universal Soldier (1992) Virtuosity (1995) The Wailing (2016) Whip It (2009) Wilde (1998) Wings Of Courage (1995) The Woman Who Left (2016) Young Sherlock Holmes (1985)

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galadrieljones · 6 years ago

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The Lily Farm - Chapter 25

Arthur Morgan x Mary Beth Gaskill

Rating: M (Mature) - sexual content, violence, and adult themes

To help her process Sean’s death, Mary Beth asks Arthur to take her on a hunting trip, somewhere far away. He agrees, and on their journey to the north, they find quietude and take comfort in their easy bond. They’ve been friends for a while now, but life, like the wilderness, is full of uncertainty and complications, and in their desperate search for meaning together, they endure a number of trials, some small, some big, all of which bring them closer to one another, as well as to their future. Now, with an escape to the lily farms of the Midwest weighing in on their dreams, they must find a way to leave the life without leaving their friends behind.

This is a retelling of Chapter 4, onward, before Arthur develops TB, with a focus on Arthur’s relationship with Mary Beth and some focus on John and Abigail as well. <3

Links to AO3 and tumblr masterpost can be found in the replies!

***Chapter 25 cw: implied PTSD***

Chapter 25: Annabelle

Early that next morning, Arthur went out into the early dawn to hunt a couple rabbits for their breakfast. Charles had been rustling around in his tent, but Arthur tugged on the flap and told him to rest up. “I got this,” he said and went up the hill from the beach to the shallow woods.

When he’d left her, Mary Beth was sleeping peacefully with her braids undone, and her hair all in heavy waves on the rough pillow. One day, he thought, we’ll be out of this mess. One day. But until then he was thankful for her sanity, and her kindness, and her lightness. He knew he had the predisposition to overthinking almost everything. He felt like a thousand layers, all compounded into one another with tragedy and age, and without the possibility of a new life, he might have let them sink him right into the earth. He still got this bad feeling sometimes, like in another life where he did not take her away to the north, where they did not kiss at Hamish Sinclair’s, and where they did not fall in love, he was a dead man. He was slowly rotting away inside that polar bear, and sadness and destruction consumed them all, sending them to the underworld.

The rabbits were easy prey. When he came back down the bluff to the beach where they had made their little circle of tents, Arthur saw Dutch standing out by the water in the early pink of the sunrise. He was untucked and rumpled, smoking a cigarette and staring out at the lake and the little fish that came up to bite at the surface. With the rabbits flung over his shoulder, Arthur went down and stood beside him. Dutch seemed to sense his presence but did not look. He continued to smoke and stare like a lost soul. For one wistful moment, Arthur thought he might have encountered a ghost.

“You okay?” said Arthur. Old habits. He cared about Dutch.

“Good morning, Arthur,” said Dutch, ignoring his question, still not looking. He dropped his cigarette into the sand. “I’ve just come to…see the lake.”

“Yes, sir.”

“It’s beautiful, don’t you think?”

Arthur nodded. “It is,” he said.

Dutch had his hands on his hips. He seemed deep in thought. Arthur waited, switching the game from one shoulder to the other. “What’s up, Dutch?”

“How is Mary Beth doing?” he said eventually. “With all of this.”

“All what?”

“Riding, with us. I don’t fancy her the sort of woman with a thirst for blood. Unlike Sadie, of course. Mary Beth does not carry…anger inside her.”

Arthur watched the circles popping up on the surface of the water, indicating the presence of the fish below. Dutch was right about Mary Beth. She did not carry anger inside her and it was one of the things he reckoned made girls like her so appealing to men like them. “She’s okay,” he said. “Mary Beth, she might seem dainty. I mean, she ain’t no killer, that’s for sure, but she’s brave. She’s real brave. I seen it.”

“I believe you,” said Dutch. He hung his head.

Arthur nodded. He lit a cigarette, gave it to Dutch who nodded in gratitude. He then lit one for himself.

“Annabelle was brave,” Dutch said then. He smoked. He surveyed the water. “A pickpocket from Dallas, literate, and quite the gifted con artist.”

“I remember,” said Arthur. “Pretty, too. Real pretty. She used to make me blush. Granted, I wasn’t more than twenty years old when she came around.”

“Remember that time she and Hosea convinced the owner of the bank in Anaconda that they were a couple of wealthy industrialists from Massachusetts?” said Dutch. “Poor schmuck ended up paying out on an investment that they never actually made.”

They had a laugh. “I do remember, yup. I believe I posed as their driver that day.”

“She played quite the prize bride,” said Dutch, sighing wistfully, smoking, watching the fish. “She was a lot like Mary Beth, don’t you think?”

Arthur took a long drag. He had not thought of it, but it was true. “She actually was,” he said. “I guess you’re right.”

“You must be worried sick, having her here,” said Dutch. “I’m sorry, Arthur. I could’ve been…mindful. You didn’t even want to bring her to that preposterous party, at the fool Mayor’s house. Though she did quite well, might I add. Still, you worry about her, and her safety.”

“Of course I do,” said Arthur. “I always did, even before.”

“But now it’s different,” said Dutch, eye-balling him. He flicked the cigarette into the water, studied his knuckles. “Now that the two of you have…laid claim. You should propose to her, Arthur. Get it all out in the open.”

Arthur straightened up, puffed his chest out a little bit, flicked his cigarette as well. “Well, I have,” he said. “A few nights back.”

“And?”

“And she said yes,” he said, smiling, but world-weary. “We ain’t told nobody yet. Or, you’re the first person I’ve told. We just liked it as a secret…for a little while. But we’ll tell people soon.”

“That’s good,” said Dutch, nodding, taking a deep breath in through his nose and out through his mouth like he was relieving some sort of tension from within his soul. “That’s real good, son. I’m overjoyed.”

Arthur cleared his throat.

“You know,” said Dutch. He reached into his back pocket, produced a flask. He took a long drink, barely flinched, offered it to Arthur, but Arthur declined. “I would’ve married Annabelle,” he went on. “I had a ring. I had a plan.”

“What happened to her?” said Arthur, suddenly. “I’m sorry. I mean, I know she was got by Colm, but you never told us how. You never said anything Dutch. You just came back with—you just came back and you didn’t speak on it.”

Dutch sighed, profoundly. Arthur was worried he might become upset by the question, but he did not. “The horse was bait, just like I suspect it is this time. Like I suspect it would have been with you several months back, should you not have overcome and escaped Colm's goddam torture chamber. I went alone, to where I knew he’d be. When I got there, she was strung up from a tree, already dead. He was gone. There was nobody there but the goddam ravens. And…her.” He took another drink.

“Jesus,” said Arthur. “Dutch, I—”

“It’s a long time ago, son,” said Dutch. He clapped a hand to Arthur’s shoulder, shook him a little, as if with pure love, or perhaps insanity. It wasn’t always clear with Dutch. He then looked back out at the water as if confused. “A long time.”

Arthur sighed. His chest felt a little heavy. “Even still,” he said. “I’m sorry.”

“Yes, well. You would understand, what it means, to lose.” He closed his eyes, shook out his head a little. “Truth be told, Arthur, I’m a little…tired this morning. I’m sorry if I seem out of my element. Thank you for…hunting breakfast, and for humoring my fond reminiscence of Annabelle. I haven’t talked about her in…a while.”

“You’re welcome,” said Arthur, scratching at his beard. It had begun to grow in once more. “You're always welcome. You can talk to me. I’m a good listener, Dutch, as perhaps once you knew.”

Dutch smiled at this, cynically of course. “You sound like Hosea.”

“Well I take that as a compliment,” said Arthur, staring at the water.

Dutch sighed. “Carry on, Arthur.”

Arthur nodded once. “Understood.”

After breakfast they rode out for another day, stopping from time to time to fish and assess the trail ahead. They stopped at Flatneck Station to inquire further upon their hunt, but the station itself was closed and looked recently abandoned. Arthur found a deck of playing cards outside on one of the benches. That night, they made camp on the Dakota and he and Charles and the girls played several games of Blackjack. Dutch remained sullen for a great deal of the trip. He isolated himself to his tent, or to the water, not reading or writing or doing anything at all but thinking, smoking, occasionally drinking from that flask. He seemed to be meditating on something, and it was a quiet foreboding that Arthur had seen many times before but never perhaps to such a far-reaching degree.

It was clean air out here, the closer they got to the west, the further they got from the south. After Blackjack, which Arthur mostly cleaned up though Charles took a hand or two, Arthur and Mary Beth found themselves out by the rocky bank of the river, passing a flask and eating jerky and looking up at the stars. It was beautiful country out here and full of grace, or that’s what they thought. Arthur put his arm around her and they sat together in some kind of harmony.

“How am I doing?” she said, taking a drink from the flask. It was whiskey, something cheap they’d picked up in Rhodes.

“How you doing with what?”

“I mean so far, on this trip. How am I doing?”

Arthur smiled. “You’re doing fine, Mary Beth,” he said.

“Good.”

“But we ain’t run into no trouble yet,” he went on. “You gonna be okay taking point again, when we get to Riggs?”

“Uh huh.”

“Good. You seem to be better at getting information than any one of us hapless fools. Must be your pretty face and that mild Kansas disposition.” He smirked at her. She passed him the flask and blushed.

“Ain’t nothing mild about Kansas,” said Mary Beth, looking down at her boots. “Except maybe the altitude.”

Arthur laughed. “You’re very funny, Miss Gaskill. You know that?”

“Only because you keep telling me so. And here I had been lead to believe I was maudlin.” She took a bit of her jerky. It was a tough rope of dried venison.

“Maudlin?” said Arthur, doing the same. “Who the hell told you that?”

“Miss Grimshaw.”

“Ha. Well. She’s grown bitter with age. Even ten years ago she was a much…milder woman. If you can believe it.”

“The kind of woman who taught Arthur Morgan to dance?”

“Yes, ma’am,” he said. “Exactly.”

They smiled together.

But thinking back to Miss Grimshaw in her younger days made Arthur think of Dutch. He tossed what was left of his jerky into the weeds. Mary Beth seemed to read him exactly and immediately. “What’s wrong?” she said. “Is everything okay?”

Arthur sighed. “I’m not…actually sure,” he said. “I guess I’m trying to predict an unpredictable situation, and it’s confusing me once again.”

“You talk to Dutch?”

“Yes,” he said. “This morning. He seemed…off.”

“It’s weird, right?” she said. “How he showed up in Rhodes like that. He seems real driven. Not sure why.”

“He ain’t in his right mind, Mary Beth,” Arthur said, finally, stripping a weed between his fingers. “I mean, he ain’t gone full nuts or anything, but he’s out of control.”

“How so?”

“It’s vengeance again. It never used to be vengeance with Dutch, not at the core, but something’s changed. This trip for him, it ain’t even about Kieran. I can feel it.”

Mary Beth was quiet then, subdued. She placed her hand on his knee. Though it did not solve anything, it was a comfort. She was a comfort. Brave.

The next day, they rode to Riggs Station, all of them in a big clump. Mary Beth went inside by herself to inquire upon her “brother” once again, just like in Rhodes, while the rest stayed hidden at a safe distance. Arthur watched through binoculars to make sure nothing funny happened. Mary Beth truly was a remarkable device—she was so young looking, so innocent. It was near impossible to argue with or to distrust. Arthur, against his better judgment, began to wonder why they had not facilitated this particular area of her expertise before. He sighed.

She came back in about fifteen minutes, riding her filly. She idled beside Arthur, reported to Dutch. “The clerk said he’s seen four or five rough looking fellas riding in and out of this particular area several times over the past week,” she said She took her hood down. The sun had burnt off all the humidity from the rain, and the air was dry. “He said one of them might’ve been Kieran. He told me I could check a nearby stead if I were feeling brave, called it Lone Mule Stead. He said sometimes gangs of outlaws come through and hole up there, but he told me not to go by myself, to hire a gun. He said if he thinks Kieran’s been messed up with something bad, that might be where he’s hiding.”

“Lone Mule?” said Arthur, straightening up on his pretty horse. “Why does that sound familiar?”

“I don’t know,” said Mary Beth. “But he drew up a map for me. It ain’t far. Between here and Blackwater. See?”

She showed it to Arthur. He studied it, chewing on a piece of bark. “I can’t make heads nor tails of what I’m feeling,” he said. “I just…this is familiar.”

“What do you think?” said Dutch, leaning in. It was the first time he’d effectively spoken to anyone in about a day.

“You’re asking me?”

“Yes, Arthur,” said Dutch, running a hand throug his hair. He was still unkempt, just like he’d been the previous day, which was unusual for Dutch. “I’m asking you. What do you think.”

“I think…” Arther took a deep breath. “I think me and Charles ought to go in on recon, tonight, after dark. Just observe the situation. We’ll report back once we know what’s what, and then we can decide what to do. I mean, if Kieran ain’t even here, nor Colm, ain’t no reason to go in guns blazing.”

Dutch nodded, serious. “I agree,” he said. “It’s a plan.”

“Is that safe?” said Mary Beth, very concerned all of sudden. “What if they catch you?”

“They won’t,” said Charles.

Sadie reached over to squeeze Mary Beth’s hand. “The boys got this,” she said. “Don’t you worry.”

She looked at Arthur, who nodded in affirmation. “We’ll be careful,” he said to her. “I promise.”

That night, they rode out to Flat Iron Lake and made camp, a few miles south of Bard’s Crossing. The trains were loud, rumbling past every few hours, shaking the trees and the ground under their feet. Arthur and Charles rode out late, past eleven. It wasn’t more than ten miles to the place marked on Mary Beth’s map, and they arrived in under an hour. For the whole ride, Arthur had felt uneasy. He must have been showing it in his face, too, because Charles took notice and asked him what was going on.

“I don’t know,” said Arthur, adjusting his hat. “I just—I get a bad feeling around these parts, Charles. Like I been here before.”

“Have you?”

Arthur shrugged. He was at a loss for now. “I just don’t know.”

They tied up their horses in the trees. The moon was so big and bright, it looked like it had a face. Lone Mule Stead was just a shit cabin, it turned out, with an outhouse and a couple of supporting structures for horses and chickens on the otherwise washed out property. When they arrived, they stayed well-hidden behind a large rock outcropping, taking inventory of the scene via binoculars. There were guards, holding torches, but they were not patrolling the perimeter and seemed mostly unconcerned with the safety of the roost. There were lights on inside the cabin and two big cellar doors not far from the stead. Arthur knew it was O’Driscolls based on their nonchalance, dress, and demeanor, and he was further filled with dread upon observing the location and the casual nature of the guards.

It took him about five minutes, but sooner or later, he figured it out.

“What’s wrong, Arthur?” said Charles. He was eating sunflower seeds out of a little canvas baggie. “You look like you’ve seen a ghost.”

Arthur put down his binoculars. He sat back on his heels and closed his eyes to his reality. He felt a stabbing uneasiness in his gut. He knew exactly where they were. “This is where they kept me,” he said to Charles, wiping the sweat off his upper lip. He looked through the binoculars again, becoming sure, nodding to himself in a validating fashion. “This is it.”

“Where Colm kept you?” said Charles, tossing the baggie, suddenly becoming concerned. He looked through his binoculars one more time, then he looked back at Arthur and placed his hand on Arthur’s back. “Where he tortured you.”

“Yes,” said Arthur. “Son of a bitch.”

Charles was filled with indignation then. He became irritable. “You stay here,” he said. “I’m gonna take a closer look.”

“I ain’t letting you go alone,” said Arthur.

“Yes, you are,” said Charles. “Arthur, you experienced a major trauma here. Coming back, without preparation—it could have repercussions that you can’t predict.”

“Like what?” said Arthur.

“Like you could lose your bearings, or worse. We can’t risk you becoming disoriented. There’s too much to lose. Let me do this. I’ll be okay.”

Arthur was sweating, on the back of his neck. And yet he felt very cold. He looked at Charles, who was serious, and he sighed, resigned, because he trusted. He lowered his binoculars, squeezed the bridge of his nose and nodded in a weary fashion. “Okay,” he said. “Be careful.”

“I always am,” said Charles. “Don’t worry about me.”

Then Charles was off, and while he was, Arthur sat with his back against the cold outcropping of rock and felt the quiet sensations of his regular anxiety. But now they were getting louder. It was like a twisting in his gut, gnawing up from his subconscious so that he had to double over and breathe, only so much breathing made him feel as if he might pass out. He looked up at the stars, blinked, tried to let himself get swallowed by the quietude of nature, the omniscience of the moon, and he listened to the coyotes, out there, somewhere, listening to anything but the sounds in his memory, which were mostly his own—the bad, guttural sounds that he made as he took out that bullet and cauterized the wound with an open flame. He grabbed his scarred shoulder, on an instinct, but then he shook out his hand and flinched like this was giving in or something. He eventually closed his eyes and pictured the very first face he saw when he somehow made it back to camp alive. Mary Beth.

“You okay, man?” said Charles—he was back now, all of a sudden. “Arthur? You okay?”

Arthur was there, surfacing. He blinked. He had no idea how much time had passed. “I’m fine,” he said, nodding, patting Charles’s hand with his own. “Thank you. What did you see?”

Charles left his hand there, heavy on Arthur’s shoulder, a comforting gesture, for a moment more. He looked around. He looked serious. “They have Kieran,” he said.

“You sure?”

“Yes. I saw his hat, and I heard…I heard his voice. He was begging for food. He’s down in that cellar there.”

Arthur nodded. “Anything else?”

Charles took a deep breath, renewed his grip on Arthur’s shoulder, then removed his hand. He holstered his sawed-off and spat into the weeds. “Dutch was right,” said Charles. “It is Colm. He’s here.”

“Did you actually see him?”

Charles nodded. “Yes. There are about twelve them in all, plus Colm. Nothing we can’t handle. But it’ll be bloody.”

Finally in possession of his faculties, Arthur cleared his throat. He turned around, looked through the binoculars once more. He was assessing the geography of the setting, the layout. “How do you reckon we approach this?”

“I think we should get Dutch and Sadie and hit them tonight, while they’re off their guard.”

“Dutch may not take kindly to stealth, Charles,” said Arthur, stowing his binoculars. He lit a cigarette for his nerves. “You know how he gets lately. He’ll wanna make a fuss.”

“Then we go in guns blazing,” said Charles, shrugging. “Either way, they won’t see it coming. But if we wait another day, we risk one of them seeing one of us, or riding over to the station, hearing from the clerk somebody was snooping their way. Or we risk Kieran. We’re outnumbered, Arthur. We need the element of surprise.”

Arthur sighed, heavy. “You’re right,” he said, and he glanced around, feeling the smoke in his lungs like a respite. “Let’s go.”

“Tonight?” said Mary Beth when they returned. She felt blindsided, unprepared. They were all on the beach now, assembled around the fire, and everywhere there were the sounds of weapons and bullets, the sounds of preparation. Dutch was just sitting on a piece of driftwood, his head hanging, cracking his knuckles again and again like he was a bull set to charge.

This was a dark time, she thought, and she’d witnessed times like it before. She remembered back to those chaotic days when they were first running from the botched job in Blackwater. It was so scary. They’d been in binds, but never like this. The men barely spoke to one another and it was all grunting and angry yelling in the nights, and John was shot up and Abigail was crying, and a lot of other good people had gone missing or were killed. Arthur was at Dutch’s throat, time and again, and Micah was always nearby, making his inhuman sounds of exasperation as Hosea shook his head and tried to remind them all that arguing wasn’t gonna make no difference in whether they lived or died. Those times were uncertain. Those times were full of pain and fear, especially as a woman when you had so little control over what happened to you, and what happened to those around you. You could do nothing but live by the actions of the men and hold onto your faith that they knew what they were doing, that they were professionals, they were gunslingers of the highest order and getting out of an impossible pickle with the law was their absolute specialty.

But it was different now. Before, they would all go away—the boys—all of them, and then they would come back, for better or for worse, and in that time she would worry for them each in their own specific ways. It was true she had always had special feelings for Arthur that she chalked up to romantic bullshit and him being so handsome and full of mystery like the cowboys from the storybooks she had read in her girlhood. He was tall and quiet and enigmatic, and unlike these other unwashed specimens, he cherished books and ideas and these were parts of himself he only ever seemed to show to her. He had always been special. But now, he wasn’t just special. He had given himself to her, and she kept thinking back to that time he went out, scoping the perimeter at Deer Cottage, and she was so afraid for his safety, she nearly cried. Now, she was his, and he was hers, and they were lovers, and he was going into a gunfight, and the idea of him not coming back—it made her crazy.

“If we wait,” said Arthur, addressing her calmly now, “we risk showing our hand, Mary Beth. This way, with four on twelve, we stand a chance.”

"You mean five,” said Mary Beth. “Five on twelve.”

Arthur shook his head. “You ain't coming,” he said. He had been sitting on an old tree stump, loading his shotgun, but now he was with her, approaching her, holding out his hands as if she were some wild animal with which he did not cherish to reckon. “Mary Beth, you stay here.”

“Like hell,” she said, getting defensive. “I ain’t letting you go without me.”

“This ain’t no negotiation,” he said. “You ain’t a trained gun. We talked about this.”

“No we didn’t.” She became frantic. She was looking around but nobody was coming to her defense. “Arthur,” she said.

He just shook his head. “No.”

She stormed off, to the edge of the moonlit lake. She stood there with her boots getting wet in the water. She was trying so hard not to cry, but she was flooded. She didn’t want to go. She was afraid. But she didn’t want him going either.

He followed her out there. He had removed his hat. He was holding it with two hands in front of him. “Mary Beth,” he said. He reached for her. She pushed him away. “Mary Beth. Please.”

“What if you die?” she said, wiping the tears away. She hated it. She hated him to see her cry.

“Mary Beth, I ain’t gonna die.”

“You said you wasn’t ever gonna leave me.”

“You wanted this,” pleaded Arthur. “I’m out here, risking my life for Kieran, because you asked me to, Mary Beth. I would have left him to die, but you convinced me that was wrong. Now, I gotta see it through. I gotta.”

She looked away. She knew he was right.

He sighed, very concerned. He stood before her, like an offering. He put his hat back on and took both of her hands into his with caution. She allowed him to do this but she would not look him in the eye. He took a step closer, lowered his voice. “Mary Beth,” he said.

“What.”

“Baby, please,” he said. It was the first time he’d ever called her that. He picked up her face in his hands, tried getting ahold of her eyes. “Baby, look at me.”

“What, Arthur.”

“Look at me.”

So she did, but only just. He exhaled, anted up for her. He put the loose hair behind her ears. “I ain’t trying to patronize you,” he said. “By not letting you come. I ain’t. I know you got the chops for a lot of bad stuff but—Mary Beth, look at me.”

“No,” she said.

“Why?”

“I can’t let you go without me,” she said. “We gotta stick together.”

“I agree. We gotta stick together. But I can’t get Kieran back and protect you at the same time. I know you’re an outlaw, Mary Beth, and a damn good one at that. You’ve proven that again and again. But you ain’t no killer. You don’t want this. And I just—I don’t wanna lose you. So I need you to stay behind. Do you understand? Will you listen me, please?”

She bit down, very tired and very scared. She nodded though, resigned to him. It was the right thing to do, even if felt wrong. “Okay,” she said, sniffling a little. “I’ll stay.”

“Thank you,” he said, his voice breaking. He hugged her big, cradled her head in his hands and kissed her hair. “I love you much.”

“I love you, too,” she said, still crying. “Please be careful, Arthur. Please come back.”

“I will,” he said, still holding her tightly. “I ain’t never gonna leave you, remember?” He kissed her.

Charles looked around and eventually suggested that Mary Beth wait in a little cave that cut into the cliffs, not far from their camp. It was uninhabited and very damp and the entrance was mostly hidden from direct view on the beach. It had a skylight overhead to let in the light from the moon and smelled of freshwater kelp. Arthur assured her that they should not be gone but a few hours before he kissed her again and left her view. She brought a lantern and her book and tried to breathe.

After all the men were gone, Sadie hung back in the cave. She was armed up and ferocious and full of intent, but she seemed ambivalent. “You gonna be okay?” she said to Mary Beth.

Mary Beth tried to smile. “I hope so. Are you?”

Sadie shrugged. She lit a cigarette, gave it to Mary Beth, then she lit one for herself. “I ain’t letting nothing happen to Arthur,” said Sadie, reading her mind. “That’s for sure. I don’t care much what happens to me, but him—he’s gonna live. You can count on it.”

Mary Beth did not know what to say. She didn’t feel much like smoking. She let the cigarette burn down. She felt full up, full of fear and full of gratitude. “Thank you,” she said.

Sadie affixed her hat to her head with nonchalance. “Don’t mention it,” she said, then she was off.

Once she was gone, and the night was big and cold and empty overhead, Mary Beth allowed herself to cry for just a minute. As she cried, she thought only unintelligible thoughts that were filled with a kind of self-pity and a desperate fear of which she felt ashamed. Then, when she was finished, she stopped. As quickly as she had begun. She pulled herself together, and she straightened up with her back against the wall, and she picked up her shotgun off the slippery cave floor. She cocked it once, closed her eyes, took a big, deep breath, and she waited.

Meanwhile, far away from her and her control, the boys and Sadie—they went into the fight.

A couple of hours went by. The moon had moved out of her view, and the cave was darker than it was before. Mary Beth sat with her head hanging, her shotgun in hand. She was very weary, very tired. She had not once opened her book. She sat in meditation with the sky and the wind and felt herself vibrating for many minutes at a time. It was gruelling. She could hear nothing of the world outside, nothing but crickets and the sounds of the lake echoing through the cave. At some point, many hours had passed and she felt as though the earth had rotated fully on its axis. Her muscles hurt. She realized she had been sitting very still in the exact same position for a very long time, so she tried to relax her fingers, her hands curled around the gun so tight. She tried to breath. Breathe.

Then, she heard a stirring up ahead, at the mouth of the cave. The sound was so foreign and so unexpected that she sat straight up with her back to the wall and held her gun high against her chest with two fingers on the trigger for a long time. She waited. After a minute, the stirring seemed to have discontinued, but then it started up again, and it sounded like footsteps, and Mary Beth became alarmed. On a reflex, she called out for him.

“Arthur?” she said. Her voice sounded like a little girl’s. She staggered to her feet, still with the gun. She had the lantern, too, and she held it out in front of her so as to commence lighting the cave. She took a step forward. She leaned. She listened. She couldn’t see or hear anything, but pretty soon she came to regret having said his name. For a figure stepped out of the darkness and into the light of her lantern, and it was tall and big, but it was not Arthur. It wasn’t Dutch nor Charles neither and it was a man she had never seen before. He was bleeding from the upper leg and walking with a considerable limp. He was also holding his arm against his body as if it were broken. He looked confused at first, to find her here. Clearly he had been looking for a place to hide. His hair was long and mussed and he had no hat. Once he saw her face though, something clicked, as if he recognized her, and in this he seemed to take a great deal of instant pleasure. He came closer. She took a step back.

“Who the fuck are you?” she said from behind her lantern.

He was smiling, mean. “Who am I?” he said, in kind of a sing-song voice. It was unpleasant. “Who are you? Are you who I think you are?”

“Back the fuck up,” said Mary Beth. “I mean it.”

He held up his hands, as if caught in the act, still smiling. “You won’t hurt me,” he said. “Miss Gaskill, is it?”

“Excuse me?” said Mary Beth.

The man laughed to himself, real low all of a sudden. The cave smelled of his blood. Time stopped. “You’re Arthur Morgan’s girl,” he said. “I’m right, ain’t I?”

“No,” she said.

But he disregarded her protest. “What a fuckin surprise. I never dreamed you’d come.”

“What the fuck do you want,” she said again. She dropped the lantern. It rolled toward him. She nearly lost sight of his face but pointed the gun anyhow.

He took another step forward, just one, still with his hands up in the air. He no longer seemed affected by the gunshot in his leg. Inhuman-like. He laughed and it was an ugly sound. “What do I want?”

"Yes.”

“Well I wanted a place to hide. But now, I ain’t so sure.”

Mary Beth said nothing. “You better get. He’ll be here soon.”

“Who, Arthur?” He lowered his hands, finally, cracked his knuckles, studying her. “Yeah, that’s who you’re waiting for, isn’t it? I don’t know whether he lives or dies tonight, though he did get away from me and mine, all them months ago. I…had him. I had him. You’ll make a fine consolation prize though, I expect. Might even draw him right to me, albeit too late. He is a chivalrous buffoon, I’ll grant him that. Loyal to his grave. And you wouldn’t be the first van der Linde girl whose lights I put to rest, luring in a rat.”

Mary Beth took another step backward. Her back touched the wall and there was nowhere left to go. “Colm,” she said, wise to him, swallowing her fear, raising that gun.

“That’s right,” said Colm O’Driscoll, smiling like no sort of evil she’d ever seen. “It’s nice to finally meet you, Mary Beth.”

#red dead redemption 2 #rdr2 #arthur morgan #mary beth gaskill #mary-beth gaskill #arthur x mary beth #dutch van der linde #charles smith #sadie adler #rdr2 fanfic #the lily farm #cw: implied ptsd

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grupul-iubim-brasovul · 5 years ago

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LIVE -INTERVIU de Colecție-Sâmbātā, ne întālnim cu indrāgitul Actor Claudiu Bleonț-Teatrul Național București,in emisiunea Gândul Zilei alāturi de Eugen Târnovan!

Roluri la TNB:

Douglas - “Papagalul mut - Istorii aproape adevărate despre un spion aproape uitat”, text şi regie Nae Caranfil, 2018

Harry - "Orchestra Titanic" de Hristo Boicev, regia Felix Alexa, 2018

Puck - "Visul unei nopți de vară" de William Shakespeare, regia Petrică Ionescu, 2015

Militar, Bărbatul, Al treilea bărbat -"Terorism" de Frații Presniakov, regia Felix Alexa, 2015

Josef Erbarmen - "Hoți" de Dea Loher, regia Radu Afrim, 2014

Piotr Bobcinski, moșier - "Revizorul" de Nikolai Vasilievich Gogol, regia Felix Alexa, 2013

Iuri Petrovski - „Istoria comunismului povestită pentru bolnavii mintal", regia Florin Fătulescu, 2007

Maestrul de Arte Marţiale - „Burghezul gentilom" după J.B.P. Molière, regia Petrică Ionescu, 2006

Dr. Smil - „Apus de soare" de Barbu Ştefănescu Delavrancea, regia Dan Piţa, 2004

Andronic - „Ultima oră" de Mihail Sebastian, regia Anca Ovanez Doroşenco, 2003

Caţavencu - „O scrisoare pierdută" de I.L. Caragiale, regia Grigore Gonţa, 2003

Pafnutie - „Crimă pentru pământ" după romanul omonim al lui Dinu Săraru, regia Grigore Gonţa, 2003

Maestatea Sa - „Legenda ultimului împărat" de Valentin Nicolau, regia Alice Barb, 2002

Macbett - „Macbett" de Eugene Ionesco, regia Beatrice (Bleonţ) Rancea, 2000

Adso von Melk - „Numele trandafirului" după Umberto Eco, regia Grigore Gonţa, 1999

Ion Nebunu` - „Năpasta" de I.L. Caragiale, regia Dana Dima, 1998

Philoctet - „Philoctet" de Sofocle, regia Andreea Vulpe, 1998

Mercuţio - „Romeo şi Julieta" de William Shakespeare, regia Beatrice (Bleonţ) Rancea, 1994 - 1995

Pistetairos - „Păsările" de Aristofan, regia Nicky Wolcz, 1991

Feste, Nebunul - „Noaptea regilor" de William Shakespeare, regia Andrei Şerban, 1991

Trofimov - „Livada de vişini" de A. P. Cehov, regia Andrei Şerban, 1991

Reverend Hale - „Vrăjitoarele din Salem" de Arthur Miller, regia Felix Alexa, 1991

Oreste - „Trilogia Antică" după Seneca, Sofocle şi Euripide, regia Andrei Şerban, 1990

Ralph Clark - „Cine are nevoie de teatru? " de Timberlake Wartenbaker, regia Andrei Şerban, 1990

Scipio - „Caligula" de Albert Camus, regia Horea Popescu

Pamfilus / Byrria - „Fata din Andros" de Terenţiu, regia Grigore Gonţa

Tasso - „Torquato Tasso" de Johann Wolfgang von Goethe, regia Anca Ovanez Doroşenco, 1988

Billy Bibbit - „Zbor deasupra unui cuib de cuci" după Dale Wasserman, regia Horea Popescu, 1983

Sir Andrew - „A douăsprezecea noapte" de William Shakespeare, regia Anca Ovanez Doroşenco, 1983-1984 - Debut

Activităţi în afara TNB:

Roluri în teatru:

Teatrul Naţional Marin Sorescu, Craiova, 2012-2013

Tipătescu - "O scrisoare pierdută" de I.L. Caragiale, regia Mircea CornişteanuUmbra din Iad - "Apocalipsa după Shakespeare. Macbeth" după William Shakespeare şi Adam Mickiewicz, regia Janusz L. WisniewskiMircea Stephan - "Chinezii" de Michael Freyn, regia Mircea Cornişteanu

Teatrul Teodor Costescu, Drobeta Turnu Severin

Salieri - „Amadeus" de Peter Shaffer, regia Toma Enache, 2010Richard - "Richard al III-lea", regia Toma Enache

Centrul Cultural "Eugen Ionesco" Slatina, 2011-2012

Novecento - "Alessandro Barrico", regia Andra NegulescuDuhul - "Măgura" de George Smarandache, regia Andra NegulescuAmedee - «Amedeu sau sapi de el cu greu» după Eugen Ionesco, regia Andra Negulescu

Asociaţia Culturală de Teatru, Muzică şi Film "Dracula"

Fidipide - "Secta femeilor" după Aristofan, regia Toma Enache, 2010

Proiecte independente

Lelio Bisognosi - „Mincinosul" de Carlo Goldoni, regia Toma Enache, 2009-2010Gherman - „Aventurile unui bărbat extrem de serios" de Theodor Mazilu, regia Vlad Stănescu, 2009-2010

Teatrul de Comedie, Bucureşti: 2007 - 2009

„Vinerea Verde" de Dumitru Radu Popescu, regia Ion Eremia„Dumnezeul zilei de mâine" de Mimi Brănescu, regia Marcel Ţop

Asociaţia La Steaua, proiect independent: 2007 - 2008

Rică Venturiano - „O noapte furtunoasă" de I.L. Caragiale, regia Toma Enache

Teatrul Fani Tardini din Galaţi: 2007 - 2008

„Himnus" de Gyorgy Schwajda, în regia lui Radu Dinulescu„Caii de la fereastră" de Matei Vişniec, regia Radu Dinulescu

Teatrul Arca: 2004 - 2005

„Top Dogs. Şomeri de lux" de Urs Widmer, regia Theo Herghelegiu

ARCUB

„Uşa" de Matei Vişniec, regia Alice Barb, 2006

Teatrul Constantin Nottara

„Nu se ştie cum" de Luigi Pirandello, regia Bocsardi Laszlo, 2005

Teatrul de vară Zsambeck, Budapesta

Începând din 1995, a fost guest star în 5 spectacole montate în Ungaria de Beatrice Bleonţ în proiectele unice realizate pentru Festivalul de Teatru Ungar:

Woland - „Maestrul şi Margareta" după Mihail BulgakovOreste - „Electra" de SofocleAncus Marcius - „Răpirea sabinelor" de Leonid AndreevOberon - „Visul unei nopţi de vară" de William ShakespeareGrecul - „Nunta" de A.P. CehovQuasimodo - „Cocoşatul de la Notre Dame" de Victor HugoDoctorul - „Soldatul Pulcinella" după Georg Buchner, scenariul şi regia Simon Balasz, coproducţie italiano-ungaro-română, cu spectacole în Ungaria şi Italia, 2003 - 2004

Teatrul Naţional Târgu Mureş: 1997 - 1998

Macbeth - „Macbeth" de William Shakespeare, regia Ştefan Iordănescu

Teatrul Tineretului, Piatra Neamţ

Langlume - „Crima din strada Lourcine" de Eugene Labiche, regia Vlad Mugur

Teatrul Odeon: 1996 - 1998

Dr. Hinkfuss - „Asta seară se improvizează" de Luigi Pirandello, regia Alexa VisarionMackie Knife - „Opera de trei parale" de Bertolt Brecht, regia Beatrice Bleonţ

Teatrul Naţional Timişoara : 1996

Poetul - „Cerşetorul" de Reinhard Johannes Sorge, regia Beatrice (Bleonţ) Rancea

Teatrul Lucia Sturdza Bulandra: 1991

Moritz Stiefel - „Deşteptarea primăverii" de Frank Wedekind, regia Liviu Ciulei

Teatrul de Comedie: 1981-1982:

Kolea - „Turnul de fildeş" de Victor Rozov, regia Cătălina BuzoianuFugakawa - „Fantome la Kitahama" de Kobo Abe, regia Ion Cojar

Teatrul din Petroşani: 1983 - 1990 (Debut)

El - „Un bărbat şi mai multe femei" de Leonid Zorin, regia Claudiu BleonţEl - „Anonimul veneţian" de Giuseppe Berto, regia Cătălin NaumEl - „Într-un parc, pe o bancă" de Alexandr Ghelman, regia Cătălin Naum

Roluri în film:

"Brâncuşi", regia Adrian Popovici, 2013Marcelino - „Ursul", regia Dan Chişu, 2011Doctorul - "Eva", regia Adrian Popovici, 2009Mihai - "Liceenii...în 53 de ore şi ceva" , regia Adrian Popovici, 2011Col. Niculescu-Coca - "Călătoriile lui Grüber", regia Radu Gabrea, 2008Fabian - "Femeia visurilor", regia Dan Piţa, 2005Sergiu Naum - "Păcatele Evei", producţie Media Pro Pictures, serial tv,2005„Cortul", regia Bogdan Cristian Drăgan, 1997"Şarpele", regia Viorel Sergovici, film tv, 1996Cpt. Petre Dumitriu - „O vară de neuitat", regia Lucian Pintilie, 1994„Polul Sud", regia Radu Nicoară, 1991„Autor Anonim", regia Dan Piţa, 1989„Rochia albă de dantelă", regia Dan Piţa, 1989„Flăcări pe comori", regia Nicolae Mărgineanu, 1988„Dreptate în lanţuri", regia Dan Piţa, 1986„Pas în doi", regia Dan Piţa, 1986„Să mori rănit din dragoste de viaţă", regia Mircea Veroiu, 1984Băiatul - „Concurs", regia Dan Piţa, 1984

Roluri secundare în filme internaţionale:

Sorin - „Born to Raise Hell", cu Steven Segal, regia Lauro Chartrand, 2010Armon - "Anaconda 4: Trail of Blood", regia Don E. FauntLeRoy, film de televiziune, 2009Grigory Orloff - „Catherine the Great", regia Paul Burgess şi John-Paul Davidson, 2005Bogdan - „Dracula III", regia Patrick Lussier, 2005Aldo Serra - "Returns of the Living Dead: Rave to the Grave", regia Ellory Elkayem, 2005The Provider - „Dracula Ressurection", regia Patrick LoussierVlad II - „Vlad", regia Michael D. Sellers, 2003Ossac - „Boudica", regia Bill Anderson, BBC, 2003Andrei - „Ion", regia Thomas BohnHannibal - „Final Countdown", coproducţie Parafilm International şi ZDF Film (Germania), 2003Sultan Mahomed, Baiazid - „The Impaler" (Prinţul nopţii), regia Joe Sapel, 2000"Karoly", regia Arpad Sopsici, 1998

Televiziune:

Jacques - „Cum vă place" de William Shakespeare, regia Olimpia ArghirNae Girimea - „D`ale carnavalului", de I.L. Caragiale, regia Dominic DembinskiAndronic - „Şarpele" de Mircea Eliade, regia Viorel Sergovici

Festivaluri

„Himnus" de Gyorgy Schwajda, regia Radu Dinulescu - Avignon, 2007

„Caii la fereastră" de Matei Vişniec, regia Radu Dinulescu - Avignon, 2005 - 2006

Formaţie:

Institutul de Artă Teatrală şi Cinematografică I.L. Caragiale, Bucureşti, clasa profesor Grigore Gonţa, promoţia 1983. Roluri de absolvire: Ghiţă Coşcodan - „Agachi Flutur" de Vasile Alecsandri, regia Grigore Gonţa; Melchior Gabor - „Deşteptarea primăverii" de Frank Wedekind, regia Gina Guzina

Nominalizări şi premii:

Premiul presei „Coup de Coeur de la presse" la Festivalul de la Avignon 2007, secţiunea Off, pentru spectacolul "Himnus" de Gyorgy Schwajda, în regia lui Radu Dinulescu, Teatrul Fani Tardini din GalaţiPremiul pentru cel mai bun actor, Festivalul de Comedie, Galaţi, pentru „Caii la fereastră" de Matei Vişniec, regia Radu Dinulescu, 2006Nominalizare UNITER pentru cel mai bun actor pentru rolul Mercutio din „Romeo şi Julieta" de William Shakespeare, regia Beatrice Bleonţ, 1994 - 1995Nominalizare UNITER pentru cel mai bun actor pentru rolul Ion Nebunul din „Năpasta" de I.L. Caragiale, regia Radu Dinulescu, 1992 - 1993Premiu pentru cel mai bun actor pentru rolul Tasso în „Torquato Tasso" de Johann Wolfgang van Goethe, regia Anca Ovanez Doroşenco, TNBPremiul pentru cel mai bun actor în filmul „Pas în doi", regia Dan Piţa, Costineşti 1985Premiul pentru cel mai bun actor în filmul „Concurs", regia Dan Piţa, Costineşti, 1983Premiul pentru cel mai bun actor pentru rolul El din piesa „Un bărbat şi mai multe femei", Teatrul Petroşani, regia proprie

Distincții :

Ordinul Meritul Cultural în grad de Cavaler, Categoria D - "Arta Spectacolului", „în semn de apreciere a întregii activități și pentru dăruirea și talentul interpretativ pus în slujba artei scenice și a spectacolului”

Diplomă de onoare acordată de Asociația Cineaștilor din România (ACIN) pentru rolurile sale din filmele Să mori rănit din dragoste de viață și Dreptate în lanțuri (1984).

#TeleviziuneaGrupIubimBrasovul

#GândulZilei

#ClaudiuBleonț

#TNB

#IUBIM_BRAŞOVUL

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moviebusinessnews · 5 years ago

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Anacondas: Trail of Blood (2009) – Sacrificial Moron Scene (4/10) | Movieclips

Enjoy this entertaining video clip: Anacondas: Trail of Blood (2009) – Sacrificial Moron Scene (4/10) | Movieclips.

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vietsubtv89 · 4 years ago

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Rắn Khổng Lồ 4 – Anacondas Trail Of Blood

Amanda kicks him out of the car with two grenades in hand. While the snake devours him, it is blown to bits.

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phimnhanhtv89 · 4 years ago

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Rắn Khổng Lồ 4 – Anacondas Trail Of Blood

A dying mogul wages one last, desperate bid to extend his life, in the process pitting a beautiful herpetologist against the very slithering horror that she helped to create. Murdoch (John Rhys-Davies) is convinced that he can cheat death by drawing on the regenerative power of the elusive blood orchid. But when Murdoch’s doctor tests the experimental serum on a baby snake, the tiny serpent grows into an unstoppable monster overnight, devouring the doctor whole before breaking free from the lab and embarking on a gruesome rampage. Now, it’s up to fearless herpetologist Amanda (Crystal Allen) and her team of scientists to collect the coveted orchids while avoiding both Murdoch’s gang of heavily armed thugs, and the giant abomination that will prey on anything or anyone who crosses its path. ~ Jason Buchanan, Rovi

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source https://phimnhanhtv89.com/ran-khong-lo-4-anacondas-trail-of-blood/

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xemphimhay89 · 4 years ago

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Rắn Khổng Lồ 4 – Anacondas Trail Of Blood

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Hulu New Releases: June 2021

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Hulu’s list of new releases for June 2021 is highlighted by a host of useful library titles and one fascinating original film.

The original film in question is the one that lends its delightful photo of Pierce Brosnan delivering a baby to this post. False Positive stars and was written by Ilana Glazer (Broad City). It sounds like a really fun, creepy time with a synopsis that reads: “After months of trying and failing to get pregnant, Lucy (Glazer) and Adrian (Justin Theroux) finally find their dream fertility doctor in the illustrious Dr. Hindle (Pierce Brosnan). But after becoming pregnant with a healthy baby girl, Lucy begins to notice something sinister through Hindle’s gleaming charm, and she sets out to uncover the unsettling truth about him, and her own “birth story.” Cool!

Hulu’s other original offerings aren’t too inspiring this month. Only Love, Victor season 2 on June 11 moves the needle much. If you count “FX on Hulu” as Hulu then June 17 sees the arrival of Dave season 2. Dave was one of TV’s best surprises last year and it’s nice to have it back.

After those two, it’s just a bunch of library titles. Thankfully, those library titles are fairly intriguing. Arachnophobia, The Dark Knight, Kick-Ass, and Slumdog Millionaire all premiere on June 1. Willy’s Wonderland, featuring Nic Cage’s battle against animatronic puppets, arrives on June 13.

Here is everything else coming to Hulu this month.

Hulu New Releases – June 2021

June 1 CHANGING THE GAME: Documentary Premiere (Hulu Original) American Ninja Warrior: Season 13 Premiere (NBC) Housebroken: Series Premiere (FOX) Small Fortune: Complete Season 1 (NBC) 50/50 (2011) A Most Wanted Man (2014) A Perfect Day (2006) A Prayer For The Dying (1987) The Adventures of Tintin (2011) Across The Universe (2007) Alive (1993) Anacondas: The Hunt For The Blood Orchid (2004) Anaconda 3: Offspring (2008) Anacondas: Trail Of Blood (2009) Arachnophobia (1990) Batman Begins (2005) The Big Chill (1983) The Birdcage (1997) Black And White (2000) The Blair Witch Project (1999) The Blair Witch Project: Book of Shadows (2000) Bloody Sunday (2002) Blue Streak (1999) The Boondock Saints II: All Saints Day (2009) Bucky Larson: Born To Be A Star (2011) Charlotte’s Web (1973) The Company You Keep (2013) Conviction (2010) Convicts (1991) Convoy (1978) The Cookout (2004) The Dark Knight (2008) Desperate Measures (1998) Deuce Bigalow: European Gigolo (2005) Dragonfly (2002) Driven (2001) El Dorado (1967) Face/Off (1997) The Forbidden Kingdom (2008) The Full Monty (1997) Fun in Acapulco (1963) Gamer (2009) Get Smart (2008) Hanging Up (2000) Hud (1963) The Hustler (1961) Jennifer 8 (1992) Jennifer’s Body (2009) Just Wright (2009) Kick-Ass (2010) Kung Pow: Enter the Fist (2000) Last Chance Harvey (2008) The Last House on the Left (2009) Little Women (1994) The Long Goodbye (1973) The Love Letter (1999) The Man Who Shot Liberty Valance (1962) Once Upon A Crime… (1992) Ordinary People (1980) Places In The Heart (1984) Primary Colors (1998) Revolutionary Road (2008) Richie Rich (1994) Rules of Engagement (2000) Sabrina (1995) Savage State (2021) Saving Silverman (2001) Scorpio (1973) Silence (2016) Slumdog Millionaire (2008) The Soloist (2009) Some Girls (1988) Something’s Gotta Give (2003) Soul Survivors (2001) Still Waiting (2009) Sweeney Todd: The Demon Barber of Fleet Street (2007) Switchback (1997) The Time Machine (2002) To Die For (1995) The Upside (2017) Vanity Fair (2004) Waiting… (2005) Walking Tall (1973) Wayne’s World 2 (1993) Weekend at Bernie’s (1989) Wilde (1998) Wings Of Courage (1995) Witless Protection (2008) Young Adult (2011) June 2 America’s Got Talent: Season 16 Premiere (NBC) June 3 MasterChef: Season 11 Premiere (FOX) A Glitch in the Matrix (2020) Night of the Kings (2021) June 4 The New York Times Presents: New Episode (FX on Hulu) Beat Shazam: Season 4 Premiere (FOX) June 5 Emergency Call: Season 2 Premiere (ABC) Rams (2021) June 7 Celebrity Family Feud: Season 7 Premiere (ABC) The Chase: Season 2 Premiere (ABC) To Tell the Truth: Season 7 Premiere (ABC) June 8 The Bachelorette: Season 17 Premiere (ABC) Legion Of Brothers (2017) June 9 The Croods: A New Age (2020) June 10 Trolls: TrollsTopia: Complete Season 3 (Hulu Original) Card Sharks: Season 3 Premiere (ABC) Trust (2021) Two of Us (2019) June 11 Love, Victor: Season 2 Premiere (Hulu Original) Real Housewives of Potomac: Complete Season 5 (Bravo) Come True (2021) June 13 Dragonheart (1996) Dragonheart: A New Beginning (2000) Dragonheart 3: The Sorcerer’S Curse (2014) Dragonheart: Battle for the Heartfire (2017) Not Fade Away (2012) Willy’s Wonderland (2021) June 14 Rūrangi: Complete Season 1 (The Yellow Affair)

June 15 Accused: Guilty or Innocent?: Complete Season 1 (A&E) Alone: Complete Season 7 (A&E) Alone: The Beast: Complete Season 1 America Our Defining Hours: Complete Season 1 (A&E) The Celebrity Dating Game: Complete Season 1 (ABC) Dance Moms: Complete Season 8 (A&E) Duck Dynasty: Complete Season 3 (A&E) Forged in Fire: Complete Season 7 (A&E) Hoarders: Complete Season 11 (A&E) Married at First Sight: Complete Season 11 (A&E) Mountain Men: Complete Season 6 (A&E) Swamp People: Complete Season 11 (A&E) The UnXplained with William Shatner: Complete Season 1B (A&E) Born to Play (2020) Gone Girl (2014) Her Deadly Sugar Daddy Her Name Is Chef (2020) Michael Smerconish: Things I Wish I Knew Before I Started Talking (2020) Nasrin (2020) The Obituary of Tunde Johnson (2020) The Outside Story (2021) Secret Life of a Celebrity Surrogate (2020) (Lifetime) June 17 DAVE: Season 2 Premiere (FX on Hulu) Phobias (2021) June 18 Holey Moley 3D in 2D: Season 3 Premiere (ABC) The Hustler: Season 2 Premiere (ABC) When Nature Calls: Series Premiere (ABC) June 20 The Guilt Trip (2012) June 21 Cutthroat Kitchen: Complete Seasons 2 & 3 (Food Network) Worst Cooks In America: Complete Season 4 (Food Network) Backyard Builds: Complete Seasons 1 – 4 (Corus) Big Bucket Food List: Complete Season 1 – 2 (Corus) Family Home Overhaul: Complete Season 1 (Corus) Farmhouse Facelift: Complete Season 1 (Corus) Home to Win: Complete Seasons 1 – 3 (Corus) Home to Win for the Holidays: Complete Season 1 (Corus) Jr. Chef Showdown: Complete Seasons 1 – 2 (Corus) Save My Reno: Complete Seasons 1 – 4 (Corus) Hot Market: Complete Season 1 (Corus) Wall of Chefs: Complete Season 1 (Corus) Hostiles (2017) June 22 Monster Trucks (2017) June 23 College Bowl: Series Premiere (NBC) Motherland: Fort Salem: Season 2 Premiere (Freeform) June 24 An American Haunting (2006) June 25 FALSE POSITIVE (2021) (Hulu Original) Making It: Season 3 Premiere (NBC) June 26 The Choe Show: Series Premiere (FX) June 27 Safer at Home (2021) June 29 Bratz : The Movie (2007) Harvie & The Magic Museum (2021) June 30 Hansel & Gretel: Witch Hunters (2013) Jack Reacher (2012) The Sweet Life (2016)

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Leaving Hulu – June 2021

June 4 Intrigo: Dear Agnes (2019) June 5 The Appearance (2018) June 11 Intrigo: Samaria (2019) LA 92 (2020) June 17 Identity (2003) June 30 28 Days Later (2003) 50 First Dates (2004) A Low Down Dirty Shame (1994) A Night at the Roxbury (1998) A Prayer For The Dying (1987) A Simple Plan (1998) A Storks Journey (2017) The Birdcage (1997) Blue Streak (1999) Brooklyn’s Finest (2010) Bug (2007) Bulworth (1998) Butch Cassidy and the Sundance Kid (1969) Captain Kronos: Vampire Hunter (1974) Changeling (2008) Cheech & Chong’s Still Smokin’ (1983) Cloudy With A Chance Of Meatballs (2009) Convicts (1991) Convoy (1978) The Core (2003) The Devil’s Double (2011) Did You Hear About The Morgans? (2009) Die Hard (1988) Die Hard With A Vengeance (1995) Dude, Where’s My Car? (2000) Face/Off (1997) The Foot Fist Way (2008) Frankie & Alice (2014) The Full Monty (1997) Garden State (2004) Get Smart (2008) Girl with a Pearl Earring (2003) Guess Who (2005) Gunfight at the O.K. Corral (1957) How Stella Got Her Groove Back (1998) I Am Legend (2007) Into the Arms of Strangers: Stories of the Kindertransport (2000) Junior (1994) Knowing (2009) Little Women (1994) Live Free Or Die Hard (2007) The Long Goodbye (1973) The Man Who Could Cheat Death (1959) Monster’s Ball (2001) Mystery Science Theatre (1996) Napoleon Dynamite (2004) New in Town (2009) Night at the Museum: Battle of the Smithsonian (2009) The Ninth Gate (1999) Once Upon A Crime… (1992) Pandorum (2009) Paycheck (2003) The Polar Express (2004) The Preacher’s Wife (1996) The Princess Bride (1987) Ramona and Beezus (2009) Revolutionary Road (2008) Rio (2011) Salt (2010) The Sandlot (1993) Saving Silverman (2001) Scary Movie 4 (2006) Scorpio (1973) Sex And The City (2008) Sex And The City 2 (2010) Shirley Valentine (1989) Sleeping With The Enemy (1991) Some Girls (1988) Something’s Gotta Give (2003) Soul Plane (2004) The Sum of All Fears (2002) Thirst (2009) Vantage Point (2008) Vertical Limit (2000) Walking Tall (1973) War (2007) The Wedding Planner (2001) Where the Heart Is (2000)

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